It producer David Katzenberg has heard that real clowns were "furious" but finds the hubbub to be "somewhat absurd," he told USA TODAY on Tuesday.

Continued at USAToday.

FeoNote: I don't know if I'll like his movie, but I'm in the clown car with David on this one. That IS an absurd argument.

AND

Realistic 'Passion Dolly' sex robot brings in hundreds of new customers for brothel after they begin renting it out
By David Maher
A "realistic" sex robot has brought in hundreds of new customer's for an Irish brothel after they began renting it out.

The Dublin establishment made headlines last month after advertising its lifelike sex doll for a reported €100-an-hour.

Continued at Mirror.

FeoNote: Away to your keyboards O' Writers!

In the late 1970s, early 1980s, Marvel finally had a moderate it with THE HULK, yet even that didn't translate over to any other heroes in their pantheon.

1998 was the breakthrough year for Marvel, and it took a C-List hero to pull it off. Yet despite the cheap budget, a fun and fast paced script by David S. Goyer (DARK CITY), Director Stephen Norrington (DEATH MACHINE), and a B-List action actor like Wesley Snipes.

Various actors as Batman or Superman always played their part with a wink of self-mockery to the camera. They were playing a hero who wore his underwear on the outside of his tights.

Until BLADE, nobody ever owned a superhero like Wesley did. He kept it fun, but he never mocked his own character. Snipes played Blade for real.

BLADE was the first Marvel comics hit movie and the one that ignited the juggernaught success that is Marvel in the 21st Century. Today is the 19th Birthday of BLADE!

Read my review of BLADE.

AND

Yet in some inexplicable way no one can still fathom, Warner Bros. made the worst of them all.

THE INVASION had the Biggest Budget, Biggest Stars, and was the Biggest Flop of all the Finney inspired movies.

But why?

WB wasn't making a sequel story on their own where they had to invent a "next chapter" that never existed. Moreover, the subgenre of aliens appearing human was popular enough that Science Fiction Horror movies from the original VILLAGE OF THE DAMNED to THE THING strode as giants into the respect of true cinema classics.

The problems with THE INVASION are obvious and, as always, it's a mystery how the studio suit "Experts" - who have the most to lose - always miss what the audience immediately understands.

Read our review of THE INVASION.

This wasn't meant to be canon, it was meant to be a satirical offshoot a la YOUNG FRANKENSTEIN or GALAXY QUEST.

They had a story pitch, now they needed a solid screenwriter, which they found in the esteemed talent of ALIEN co-writer, Dan O'Bannon (DARK STAR, DEAD & BURIED, HEAVY METAL, LIFEFORCE, INVADERS FROM MARS, TOTAL RECALL, SCREAMERS, HEMOGLOBIN).

RETURN OF THE LIVING DEAD just seemed to fit with the kind of unpredictable energy that O'Bannon exuded at that period.

The late 1970s and most of the 1980s were, in themselves, such a burst of unpredictable energy in the Horror cinema that the decade arguably spawned more horror franchises than any other decade since the end of World War II.

Why? Who knows? We're not here to talk about that. We're here to rave about THE RETURN OF THE LIVING DEAD.

How can that be? What kind of incredibly talented magic was going on in the late 1970s and the 1980s?

You know, one of the saddest sights I see is when some middle-aged guy or gal wears a T-shirt that reads, in effect, "Livin' in the 50s" or "Livin' in the 80s".

How sad is that? To be living in the past, your forever lost youth?

Yet it has to be said: from Quentin Tarantino soundtracks to James Gunn soundtracks and so much more, we are watching movies with show stopping tunes played by folks in their 60s IF they are even still alive!

For better or worse, ALIEN, TERMINATOR, even TREMOR sequels are still coming out.

Freddy Kruger, Michael, and Jason Voorhees are still prominent and dominant among Horror fans.

So here we have the latest cutting edge cartoon show, RICK and MORTY, and episode after episode repeatedly references the time Rick Cronenberg'd his home planet.

What does it mean to have your planet Cronenberg'd? Read our review of David Cronenberg's THE FLY from 1986!