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E.C. McMullen Jr.
"'Some People' ... may be the standout story in the book."
- John Grant, Infinityplus
E.C. McMullen Jr.
"'Willow Blue' will burrow under your skin and stay there long after you've put the book down."
- Jeffrey Reddick, Creator of
IN OTHER BOOKS
E.C. McMullen Jr.'s
CEDO LOOKED LIKE PEOPLE
in the anthology
FEAR THE REAPER
"This Ray Bradbury-esque is one of the most memorable and one of the more original stories I've read in a long time."
- Steve Isaak,
The Silver Scream
E.C. McMULLEN Jr.,
GEORGE A. ROMERO,
and many more.
Extensively quoted in
The Unauthorized Companion
Robert S. Rhine's
CIRCUS OF HELL
GAHAN WILSON &
Featuring comics by
E.C. McMullen Jr.
Head Production Designer
JOSEPH CROSS, BRIANA EVIGAN,
Special Effects Make-Up
A SIERRA NEVADA
(MICHAEL MADSEN & JOHN SAVAGE).
Sometimes I generalize, I admit it. I'm fond of calling anyone who seems to have trouble with science and engineering (or just big numbers) a "liberal arts major" (and I don't mean it in a good way).
I think this grew out of the fact that most people who write horror and science fiction movies majored in writing. Sometimes this makes them decent writers.
Well, okay, actually it usually doesn't. But what it also doesn't do is give them the science background to write about anything more complicated than long division, which is why the exposition meant to explain why exposure to creamed corn turned a goldfish into a giant spider sounds so bogus. No, not bogus: Stupid! These idiots couldn't pass kindergarten science even if it was the class for the kids that rode the short bus.
Sorry for the rant but it'll all make sense in a minute.
TREMORS, directed by Ron Underwood (TREMORS 2) and written by S.S. Wilson and Brent Maddock (GHOST DAD) opens with a couple of ne'er-do-well handymen asleep in their pickup in the Arizona desert. Val (Kevin Bacon: FRIDAY THE 13th, FLATLINERS, STIR OF ECHOES, HOLLOW MAN) and Earl (Fred Ward: CAST A DEADLY SPELL) work odd jobs around the small, very isolated town of Perfection. Today happens to be the day they get fed up with their shiftless existence and decide to leave Perfection and start new lives in the bustling metropolis of Bixby. But as it turns out, they should have left yesterday.
Odd events begin when a University seismology student named Rhonda (Finn Carter) gets some strange readings on her equipment. Then Val and Earl discover a local drunk dead of dehydration up a power tower, as if something had chased him there and just waited until he died.
Very shortly after a local farmer and all his sheep are found slaughtered. What the hell is going on?
The phone lines are down so Val and Earl are dispatched by the townsfolk to go for help, but the boys discover that an apparent avalanche has blocked the only road out of the valley. They make a quick U-turn but their truck gets caught on something. They break free and make it back to town, only to discover a bizarre snake-like tentacle attached to their rear axle. Everyone assumes that this is the monster (they dub it a "graboid") and Walter (Victor Wong: BIG TROUBLE IN LITTLE CHINA, PRINCE OF DARKNESS), the enterprising owner of Perfection's general store, buys the dead thing from Val and Earl for $15. But of course the monster proves to be far more substantial.
This is an excellent 50's style, good old fashioned monster movie. All the characters are vivid and fascinating, from best buds Val and Earl to survivalist couple Burt Gummer (Michael Gross: TREMORS 3) and Heather (Reba McEntire). The scene where the creature breaks into Burt and Heather's basement absolutely rocks!
They never explain where these strange creatures came from or how they got here. They're just here and the people of Perfection have to deal with it as best they can.
Rhonda, the scientist character, makes some accurate observations about how these creatures are unprecedented and there's nothing like them in the fossil record but when pressed for the answer to their origin she shrugs her shoulders. Sometimes, "I don't know" is the right answer.
The monsters are well done and very scary looking. There's plenty of humor mixed in with the mayhem and never a dull moment. All that plus the virtually unprecedented less-is-more approach of not explaining the monsters earns TREMORS five shriek girls.